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Art 21
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Art 21

315 Posts

This Playlist features posts by ART21 on YouTube. Follow this Playlist to see new updates in your Feed.

This Playlist features posts by ART21 on YouTube. Follow this Playlist to see new updates in your Feed.
ART21
Oct 19, 2015
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Tania Bruguera: "The Francis Effect" | ART21 "Exclusive"
ART21

Tania Bruguera: "The Francis Effect" | ART21 "Exclusive"

Episode #211: This episode of ART21 "Exclusive" features artist Tania Bruguera collecting signatures as part of her socially engaged performance project "The Francis Effect" (2014). For fifteen weeks Bruguera stood outside of the Guggenheim Museum in New York asking passersby to sign a petition to Pope Francis that requests Vatican City citizenship for undocumented immigrants. "A lot of people know it's impossible," says Bruguera. Yet she believes "the impossible is only impossible until somebody makes it possible." In her engagement of our political imaginations, Bruguera demonstrates the power of art to change perceptions and mobilize political action.

Tania Bruguera explores the relationship between art, activism, and social change, staging participatory events and interactions that build on her own observations, experiences, and understanding of the politics of repression and control. Her work advances the concept of arte útil, according to which art can be used as a tool for social and political empowerment.

Learn more about the artist at:
www.art21.org/artists/tania-bruguera

Sign the petition at:
dignityhasnonationality.net/sign

CREDITS: Producer: Ian Forster. Consulting Producers: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Rafael Salazar & Ava Wiland. Sound: Ava Wiland. Editor: Morgan Riles. Translation: Michela Moscufo. Artwork Courtesy: Tania Bruguera. Special Thanks: Solomon R. Guggenheim Museum & Rebecca Mir. Theme Music: Peter Foley.

ART21 "Exclusive" is supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.
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